Do you talk to yourself?

Do you?  I mean, out loud?

I didn’t used to.  Only deranged people talk aloud to themselves, right?  But there are certain circumstances now when I find myself doing it.

Like when I carry two super-heavy bags of groceries in from the car and heave them onto the kitchen counter.  Okay, I grunt in relief when the first hits.  Okay, I grunt when the second lands beside it.

I also talk to myself in times of frustration, like when someone cuts me off in traffic.  You imbecile, I mutter under my breath, often using a more rude word than imbecile, but since I’m talking to myself, myself isn’t shocked.  Are you in such a *** rush that you can’t be civil?

Fiddleheads!

They’re back!  DH and I were strolling through Whole Foods the other night when I spotted a precious sign.  Fiddlehead Ferns, it read – and there they were, packed in a bin with tiny ice chips to keep them crisp.

For the uninitiated, fiddleheads are the immature, unopened fronds of a fern that, when harvested at infancy, make a yummy vegetable.  The season is short, really just a matter of weeks in early spring, but that’s one of the things that makes them special.  Another is their scrolled shape, another their nutty taste.

The pre-reqs of public speaking

What makes a good public speaker?  A strong voice?  Lotsa guts?  The gift of gab?

If you guessed any of these, you’d be right, but they’re the tip of the iceberg – literally, only the part you see.  When I talk before a group, there’s much more involved, and since I’m flying across the country to keynote a women’s breakfast in California this week, I’m in the midst of it right now.

When characters are name-callers

Here’s another thought for those of you who are interested in the kinds of things a writer has to consider.

In a single stretch of dialogue, how often should the characters call each other by name?  I’ve been hypersensitive about this lately, because I just read another book that, IMHO, did it very wrong.

Here’s an excerpt from Sweet Salt Air in which Charlotte and Nicole are discussing Cecily Cole.  Cecily is the legendary island herbalist, alternately feared and adored.  Her herbs, which are particularly strong, are what makes island food so special.

Novelist as shrink

So I’m re-reading Sweet Salt Air and seeing remarks about my characters’ emotional baggage.  Take this brief excerpt.  Charlotte, the main voice in Sweet Salt Air, is trying to explain to her BFF Nicole why she has never married.

“What terrifies me,” Charlotte said in a measured way, speaking from the heart as she couldn’t with anyone else, “is falling hard, getting hurt, and having to put my life back together again.”

“Like you did growing up.”

A watershed moment for Sweet Salt Air

I do try to blog several times a week, but it’s been ten days since my last post, and you loyal readers have Sweet Salt Air to blame.  I’ve reached a critical point in the book – three hundred pages done, with the final climactic hundred ready to go.  But … but … but …

Several sticking points.  First, there’s a medical angle to this story, and though I’ve been working with a doctor in the Midwest since last summer, it’s suddenly showtime.  That means re-reading everything he sent, making (another) list of questions for him, and, most importantly, firming up my timeline.

Why do I blog?

Let me make one thing clear.  I don’t blog to express a political opinion.  As a novelist, my taking a stand on anything political or religious is disastrous.  When I talked here last week about civil discourse, it was to vent not about what we say but how we say it.

So there you go – one reason why I blog.  I blog to vent about something, be it civil discourse, airport security, or plastic bags.

But there are other reasons.  I mean, it’s not like I’m sitting around with nothing to do.  I have to put blogging on my calendar, or else it gets lost in the shuffle of the daily writing, in this case, of Sweet Salt Air.

What is a BFF?

Do you have a BFF?  Nicole and Charlotte, of Sweet Salt Air, are that – at least until Charlotte confesses to having wronged Nicole in a totally reprehensible way.

Nicole is devasted.  “I thought you were my BFF,” she cries in the scene I just wrote, and goes on to say, “A BFF is supposed to be loyal.  She’s supposed to be honest and considerate and generous.  She’s supposed to sacrifice something she wants if she knows that getting it will hurt the other.”

Where does the dock go in winter?

We were at the lake last weekend, looking out our windows at the winterness of it all.  Winterness?  Try bleakness.  There isn’t much snow this year, and the lake hasn’t frozen thickly.  Local officials actually had to modify the rules for the annual ice fishing derby weekend, because the ice wasn’t thick enough to support the stores and restaurants, trucks and buses that occupy the frozen bay during this event.  Typically, the ice is 18” thick by now.

How emotional am I writing my characters’ emotions?

I’m on a Sweet Salt Air roll, so this blog won’t be long.  But I’m asked this question often.  Do I feel what I write?  If my characters are shocked, do I feel the shock?  If they’re heartsick, do I cry?  And yes – someone recently asked this in a blog comment – if they’re aroused, am I?

You wouldn’t ask any of it if you’d seen me this week.  I’ve been writing three consecutive scenes in Sweet Salt Air, each pivotal to the plot, each filled with high emotion, and I’ve been wringing my hands, pacing the floor, writing with my heart in my mouth, waking at night with my characters’ worries.  We’re talking betrayal, heartache, and fear.  You may read it in passing, but I live with it.