HOW TO WRITE BAD GUYS INTO BOOKS
Let’s talk about villains. Typically, a villain is used as a foil against which the main character of the book is measured. He (or she) may also be used to shift plot events in ways that help move the plot along.
We all love a real, down-and-dirty, thoroughly hatable bad guy. My problem is that I don’t think any bad guy is all bad. I guess it’s the sociologist in me knowing that there are reasons why people do what they do. I’m not condoning evil, mind you. I’m simply saying that since no child is born bad, bad behavior often comes from the world into which that child is born – i.e., socio-environmental factors.
Consider some of the villains I’ve created. There was J.D. Maxwell in More Than Friends, who behaved badly because that was the only thing that gave him a sense of control in his life. There was Dennis Raphael in A Woman's Place, who was raised to think of man as the dominant family bread-winner and had absolutely no idea what to do with his bruised ego when his wife’s business success eclipsed his. There is Family Tree's Eaton Clarke, bred to take pride in the purity of his ancestry and, truly, knowing nothing at all in life but being a Clarke.
And then there’s John St. George, villain extraordinaire from Facets. John is as close to a bona fide bad guy as I’ve created. He does despicable things to others, in part because he’s so desperate for love that, when he can’t find it, he punishes those who have. Crushed by the forces of good, John is a sad character by the end of the book.
Do people like John, J.D. Maxwell, and Dennis Raphael have a shot at redemption? By all means, because that’s my view of the world. Take Tom Gates, the protagonist in Three Wishes. Tom was a lawyer-turned-bestselling-novelist, who bought into his own hype so fully that he became too important to bother with those who needed him most. He hit rock bottom, avoided by friend and foe alike. Enter Bree Miller. In her inimitably off-beat way, she offered Tom a chance of redemption. Of all the books I’ve written, I’d most like to revisit Tom again and see how he’s doing these many years later.
The bottom line here? Most of my bad guys have the potential to be good guys. They just need a helping hand sometimes. Again, art imitates life.
Or is it the other way around?
